|  A Museum Where 'Seeing' and 'Creating' Come 
            Together 
 
 
            
              
                | At Fukui City Art Museum ( nicknamed 
                  Art Labo Fukui ), the sculpture of Hiroatsu Takata, a sculptor who 
                  spent his youth in Fukui and the wartime period in France, is 
                  constantly on display. Because of the influence of his various 
                  'caltural' friends,Takata did outstanding work in a host of genres, 
                  which the museum plans to exhibit in an attempt to please the 
                  eyes off all of its visitors. We also have a corner where you can 
                  look at works from our ateliers. As well, we regard the 
                  importance of not only the appreciation of art, but also of the 
                  creation. Knowing that appreciation of great art stimulates the 
                  imagination, we have built a place for creation. In the Children's 
                  Atelier, we search not for perfection, but strive to allow the 
                  children to experience the pleasure of making. In the Citizen's 
                  Atelier, we don't look for  professionalism, rather work toward 
                  the capturing of art of many genres and the using of many different 
                  materials. We value the fact that 'creating' and 'seeing' go hand 
                  in hand. We try to closely intimate the exhibits with the 
              atelier.
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  An Art Atmosphere 
            that Becomes One with Nature 
 
 
            
              
                | Kisho Kurokawa designed Fukui City Art 
                  Museum ( Art Labo Fukui ). It was built to fit his theme of 'The 
                  Conception of Symbiosis' through the conscious effort of making the 
                  building blend with nature. The outer walls, made almost completely 
                  of glass, are curved to create an organic shape and the building 
                  itself is built at a 13 degree angle. Since the building is 
                  completely glass, it was built at this angle to 'strain' the 
                  sunlight in the summer, so that the building would not be too hot. 
                  The glass allows the natural sunlight to add, literally and 
                  figuratively, warmth to the interior. Inside the museum, sunlight 
                  adds to the appreciation of the sculpture and provides a bright 
                  atomosphere in which to work, which helps to bring out the 
                  'personality' of the art. This enveloping 'strange' atomosphere 
                  lends itself to very unipue exhibits. We have also made a plaza 
                  for exploring formative arts and an atelier that allows the 
                  artist to work outside. Set next to a park, the building is 
                  surrounded by green grass, spring-fed pond, and trees case the whole 
                  environment in. Also, very close by are facilities for lifelong 
                  education and music appreciation, making this the City's new 
                  cultural zone.
 With the far-off Okuetsu Mountains as its 
                  background, this museum continues to aim to have a unipue 
                  personality, highlighted by the natural environment in which it is 
              set.
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